JHS CHEESE BALL Microphones Operation is simple with just

Operation is simple with just four knobs on the control panel

Looking back at the glorious rock sounds of the ’60s and ’70s

This means the sound of Plonk can change completely from note-to-note (or strike-to-strike)

The BitROT parameter defines the amount of harshness in the nonlinear combination of both inputs

Take control

JHS CHEESE BALL Microphones Operation is simple with justThe JHS Cheese Ball recalls a legendary 1990s era distortion fuzz pedal that was used by U2, Jimmy Page, Radiohead, My Bloody Valentine, and Wilco, amongst others. Versatile doesnt even begin to describe this pedal. From violin like sustain to red hot buzz to spitty grind, it will achieve just about any fuzz tone you can imagine. Volume, Gain, and Tone knobs give you plenty of tone sculpting power, while a 4 position control unlocks all of the Cheese