La Nonpareille - Batia Suter travelling morethe Yugoslav government decided to

morethe Yugoslav government decided to bridge the indeterminacy of its cultural politics through a creative strategy: it commissioned young artists and architects to draft the aesthetics of a non-Soviet form of socialism

In this issue—the first city we’ve travelled to in-person since the pandemic—we piece together the collective memory of the Lisboetas who know the city best

a 40-page dossier by INTERIORS AGENCY that offers survival strategies and coping mechanisms for life in THE NEW INTERIOR: the crisis-ridden planetary environment we inhabit today

2021 brought about the outer regions of Pleonasm

It was not until the nineteenth and twentieth centuries that the invention and institutionalization of electric light in private and public spaces gradually transformed the agency of night in the architectural discipline

La Nonpareille - Batia Suter travelling morethe Yugoslav government decided toLa Nonpareille expands on Batia Suters site specific installation at TU Delft, in which she engaged with an archive of glass slides from its library. Originally used between 1900 and 1960 for lectures in Mechanical Technology, these visibly worn plates document machines, industrial materials, and production processes during a period of increasing mechanisation. Suter reworks the material into a visual reflection on the entanglement of humans and