TARA: Then and Now, Here and There literature Utrabo sees his work as

Utrabo sees his work as a means to connect people and imagine the future through sustainable and inclusive approaches

furniture and graphic designers who need access to a range of production methods

and here we have an immersive journey through all the original maquettes and their occasional passage into the real world of furniture/sculpture

the document that regulates and controls their migration status

From the 1960s up until now he uses a variety of media and means: neon light

TARA: Then and Now, Here and There literature Utrabo sees his work asTara, Lithuanian for container or packaging, was a nickname given by artists working in the graphic design field for their place of employment, the Experimental Package Design Bureau, which was established in the early 1960s in Soviet occupied Lithuania. It was related to the modernization processes, the growth of production, the increasing range of goods, the Soviet Art for Everyday Life programme, and the objectives of the Cold War. During its most