The Social Photo - Nathan Jurgenson racism digital image culture

digital image culture

Impervious to hurdles (“They literally don’t exist

erläutert den innovativen Umgang der Eames‘ mit Materialien und Techniken und analysiert die Bedeutung ihres Werks im Kontext der Zeit

and social and environmental challenges

Expressive

The Social Photo - Nathan Jurgenson racism digital image cultureHow digital photography remade our world The selfie, the faux vintage photo, the self destructing image, the food photothese new visual forms and the devices and platforms that facilitate them have fomented a cultural revolution. Not only has the art of photography and the industry around it been transformed, but the way we under stand ourselves has changed. The Social Photo provides a language and conceptual framework to comprehend photography in the